‘A few lines written above Llanthony Priory, with myodesopsia’ in Poetry Wales 58.1 (Summer 2022).

‘Heraclitus rakes leaves and talks with his daughter’ in Under the Radar, Issue 28 (Elements) (Spring 2022).

‘A lesson in submarine safety at the naval museum’ in Causeway/Cabhsair: Magazine of Irish and Scottish Writing (April 2022).

‘Biloxi, Mississippi’ and ‘Sump’ in Tentacular Issue 9: Technology (December 2021).

‘Two Kingdoms’ and ‘The Nakedness of the Fathers’ in Poetry Birmingham Literary Journal. Issue 7 (Autumn 2021).

‘Geoguessr Street View; or, somebody knows what happened here’ in Magma 81: Anthropocene (Autumn 2021).

‘Jesus tries to Raise a Lazarus Species’ in Banshee, Issue 12 (Autumn 2021).

‘Heraclitus rakes leaves and talks with his daughter’ in Under the Radar, Issue 28 (Elements) (Autumn 2021).

‘Supermarket Sonnet: Modern Abundance matching Modern Prosperity’ in One Hand Clapping (June 2021).

‘In Praise of Anglepoise’ in Poetry Scotland, Issue 101 (March 2021).

‘A poem is like a hedgehog’ in One Hand Clapping (March 2021).

‘The impossibility of extinction in the mind of someone living’ in The Scores, Issue 9 (Spring 2021).

‘Carhenge’, ‘Containerisation’ and ‘Animal Trials: Statement from the Trial of the Weevils of St Julien’ on Watch Your Head (Feb 2021).

‘Rauhnächte / Twelve Nights’ in One Hand Clapping (Feb 2021).

‘Thirst’ in And Other Poems, (January 2021).

‘Emergent Properties’ in Finished Creatures: Stranger, Issue 4 (Autumn 2020).

‘Imperial War Museum North’ in Butcher’s Dog, Issue 14 (Winter 2020).

‘Sauna’ in Gutter 22 (Summer 2020).

‘Carhenge’ in The Scores Issue 7 (January 2020).

‘Companion Species’, ‘Decapitation Grant’ and ‘Shark’ in Northwords Now 38 (October 2019).

‘Decapitation Grant [Superimposed] in The Compass (March 2019).

‘Double; or a short essay on perception’ in The Interpreter’s House. Issue 69 (October 2018).

‘Fish Counter’ and ‘Containerization’ in Gutter 17 (January 2018).

‘Seasonal’. RAUM Vol. 1, Issue 4 (Winter 2017).

‘Portrait of Charles Smith, Merchant and Banker’. Seen/Unseen. Edited by Katy Hastie. GSAH/City Art Centre, 2017.

‘Capel-y-Finn’. The Interpreter’s House. Issue 64. February 2017.

‘What People Mean by Faith’. The Scotsman. 28th January 2017.

‘American Hybrid’, ‘All that Beckons’, and ‘Device’. Blackbox Manifold. Issue 17 (Winter 2016).

‘Kunstkammer Corner’. Umbrellas of Edinburgh: Poetry and prose inspired by Scotland’s capital city. Edited by Claire Askew and Russell Jones. Glasgow: Freight Books, 2016.

‘Epitaph’. Envoi. Issue 174 (October 2016).


100 Poems to Save the Earth. Edited by Zoë Brigley and Kristian Evans. Seren, 2021. Includes ‘Fish Counter’.

Hit Points: An Anthology of Video Game Poetry. Edited by Aaron Kent and Matthew Haigh. Broken Sleep Books, 2021. Includes ‘Outrun’.

The Centenary Collection for Edwin Morgan 2020. Edited by Colin Herd. Glasgow: Speculative Books, 2020. Includes ‘Still Life / Second Life / After Life’.

The Mechamorphoses: A collaborative confluence of transforming verse. Edited by Jon Stone. Includes ‘Daily Bugle Exclusive: Cliffjumper’s politics exposed! Autobot camp yet to make statement! Prime silent! (Archive: December 2016)’.

The Valley Press Anthology of Prose Poetry. Edited by Anne Caldwell and Oz Hardwick. Scarborough: Valley Press, 2019. Includes ‘Mountain Hare’.

A Year of Scottish Poems. Edited by Gaby Morgan. London: MacMillan, 2018. Includes ‘Oak Branch and Tree Warbler’.